In Coralie Fargeat's new feminist scary motion picture The Substance, hazardous societal charm specifications are actually the actual monsters. They (women objectification, the disposal of "the outdated," the spreading of a market improved body customization) supply a creature of a cycle that leads Demi Moore's fading television individuality c
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What am I, a critic for free?A critique of current moviesBava BookCinephileKindertraumaHubble Space Telescope Films ArchiveAssassinating Masks of MayhemFilthy ScreensTrash Aesthetics